What happens to the women who keep showing up to fight for democracy when the rooms making the laws have stopped pretending to play by the rules?

In this episode of Women I Want You to Know by Andrea L. Johnston™ Podcast, Andrea sits down with Aftyn Behn, Tennessee State Representative for District 51, organizer, and former candidate for Tennessee’s 7th Congressional District. Aftyn came up through grassroots advocacy, starting as one of the first organizers at the Tennessee Justice Center, then leading rural progressive work at National Indivisible and Rural Organizing. She ran for the State House in 2023 after the Tennessee Three protests and has since become one of the country’s most distinctive voices on what it actually takes to build women’s political power inside a state the Wilson Center has described as an electoral autocracy.

Aftyn and Andrea trace the through-line of her work: the most punishing policies for women are being written in the states with the fewest women at the table, and the legislation drafted in Tennessee is being engineered to climb the Sixth Circuit and land at the Supreme Court. They talk about why the South is the frontline for the rest of the country, why local organizing beats national outrage, and why the playbook Aftyn is running is borrowed directly from the civil rights movement she studies in Eyes on the Prize.

This conversation goes well beyond Tennessee. Aftyn shares what it costs to run for higher office as a woman right now, why old-school misogyny has come back into the open, and how she has trained herself to stop reacting and start building. Her guidance for women feeling overstimulated by the news cycle is the same guidance she gives candidates: pick a lane, find your cadre, move at the speed of trust. Her closing call to action is a charge every founder and operator should hear: get off the sidelines, get your hands dirty, and build the bench for the women who come next.

This episode is for the woman who feels the urgency in her bones, who is tired of reacting to every headline, and who is ready to plant her work somewhere it can actually grow.